The
artificial aspect of the Games makes it a state of nature where life is “nasty,
brutish, and short.” There are no rules except ‘kill or be killed.’
For this reason the story’s teenage narrator, Katniss Everdeen, views the games
simply in terms of self-preservation. Her perspective is contrasted to
the other teen selected from her district, Peeta Mellark. Peeta sees the
outlook in terms of Autonomy; he does not want the Games to change him and
wishes the Capitol to know they do not own him. Katniss believes such
thinking is a luxury she cannot afford to indulge in.
Yet
it is clear Katniss does not subscribe completely to the Hobbesian outlook
either. It is self-sacrifice, not self-preservation, that led her to the
Games in the first place. At the
Reaping, the district’s lottery selection, she courageously volunteered to take
the place of her sister whose name had been drawn as the female tribute for
their district. It is the Capitol’s
despotism that has forced her to withdraw her affections to her private circle,
her immediate family, to the exclusion of everyone else.
As
the plot unfolds, it is revealed that Peeta intends to protect Katniss
throughout the Hunger Games, even if it costs him his own life. Katniss
cannot fathom such self-sacrifice, and so for most of the story misreads his
actions in light of her own narrow worldview. When they are the final two
remaining contestants, Katniss realizes it would be better to suffer injustice
rather than commit it. She and Peeta threaten the Game Makers with suicide
rather than kill each other. This rebellious act will have political
consequences since Panem citizens are watching it live on television.
By
the end of the first novel, Katniss’ heart has expanded to include Peeta, but
it has yet to include all of Panem. In the story’s opening, Katniss
claims not to be interested in politics and simply accepts Panem’s political predicament.
Whether her duties to her private circle of family and friends will grow into
civic duties to the community as a whole will be the subject matter for the rest
of the trilogy.